Fiction

Category: Fiction

“I’m sorry to inform you that your husband has been shot and killed.” Words no wife should ever have to hear. Worse yet when the murder was the random result of a case of mistaken identity. Wrong spot, wrong time – gunned down for driving a vehicle similar to one owned by a gangster being hunted by an opposing gang.

 

My novel, The Showrunner, features three strong-willed women who work behind the scenes on a TV drama. Ann is the Older Established Boss who is losing her grip, Stacey is the disciplined Younger Up and Coming Producer headed to the top, and Jenna is the Struggling Actress turned Assistant looking out for herself.

 

If you've ever toiled in a competitive, back stabbing work environment – and who hasn't? – you've known an Ann, Stacey or Jenna. Maybe you've been one yourself. Try these quiz questions and find out:

 

“Well, no,” I say, a little taken aback. “I was on the subway during the bombing, so I totally don’t think it’s okay, but it also doesn’t seem right to just let innocent people die.”

Sandra nods. “I understand. But tough times call for tough decisions. We’ve done this to ourselves. Humans...the most destructive species ever. We’ve ruined the biosphere — The Earth — and overpopulated ourselves.”

— excerpt from Finding Jade

 

Before the mid-twentieth century, if you’d asked someone to describe a quintessentially Canadian story, they might’ve used the words “historical” and “wilderness”. That’s because many of the popular Canadian books from this period — such as Wacousta (1832) or The Man From Glengarry (1901) — followed characters contending with natural forces and historical contexts. These kinds of books created a mythology around a so-called Canadian identity: a mythology rooted in the natural landscape and a particular version of the country’s history.

Bringing the Funny

Posted on May 30 by Mark Sampson in Fiction

Being an author almost always means being a reader first. Before I set out on any new writing project — whether it’s the lengthy drudge of a novel, or the more abbreviated jaunt into a short story or poem — I become very cognizant of, and even go back and reread, major works written in a similar vein that came before.

Bird’s Eye View is the unforgettable story of an idealistic young farm girl from Saskatchewan who is working as a newspaper reporter at the outbreak of World War Two. When her town becomes a British Commonwealth Air Training Base, Rose Jolliffe is fired with patriotism and wangles her way overseas, where she joins the air force and becomes an aerial photographic interpreter.

"Something has come to pass, you think, something more important than a mere flight over the ravine." Gwendolyn MacEwen, “Fragments from a Childhood”

This sentiment is the epigraph to my new YA novel, The Strange Gift of Gwendolyn Golden. Many thanks to the author's family for kindly permitting me to use it. 

Gwendolyn MacEwen was an award-winning poet who died much too young at 47. I often walk through her Toronto park on Lowther Street and say hello to her statue. 

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