Eric Wright is the author of four detective series. The first Charlie Salter book won the Arthur Ellis Award, the John Creasey Award, and the City of Toronto Book Award. Wright has also written a comic novel and an engaging memoir of growing up in working-class London, England.
The Hemingway Caper
Joe Barley, full-time English professor and part-time private detective, is given a simple case: to track Jason Tyler and find proof of his adultery. But as heâ€™s investigating, Barley stumbles across the story of a missing manuscript containing writings by a young Ernest Hemingway.
What is Tylerâ€™s connection to the Hemingway papers? And why does Tylerâ€™s wife insist that Barley stay on the case, long after heâ€™s come up with the required evidence of Tylerâ€™s infidelity?
While these questions hang over Barley, his own life is complicated by academic politics, and challenges to his monogamous relationship with his longtime partner, Carole.
Set in Toronto, The Hemingway Caper is the second book in the Joe Barley series. The first, The Kidnapping of Rosie Dawn, won the prestigious Barry Award.
Eric Wright is a wonderful writer with a deft, light touch. The plot hangs together, the characters come alive. There is humour and mystery and it is a pleasure to read.
Joe Barley is Wright's best creation since Charlie Salter and, never mind Hemingway and his papers, Wright himself is a Canadian treasure.
The story has Wright's usual elegance and charm, along with a delightful set of characters and a good plot."
well-told and a pleasure to read.
Light and amusing. A definite contender for the beach book pile.
The Hemingway Caper fits nicely into the mode of a master craftsman of the novelgreat reading.
Wright, with four series on the go, is at his best in the latest in the Joe Barley seriesa plot with unusual twists, some eccentric charactgers and Joe Barley falling into one humorous situation after another.
the author's bemused, behind-the-scenes explorations provide agreeable, if gentle, satire of campus politics.
Wright maintains a firm grip on the material and demonstrates an old master's ability to juggle several narrative balls at once without letting us know, till quite late in the performance which of them will eventually land with the most resounding force.